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Unholy Propaganda

As the debate on the Uniform Civil Code rages, Humra Quraishi clears the many misconceptions there are floating around, about ...

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Suspense Classic

Film historian Dhruv Somani reveals the behind-the-scenes moments of the cult classic, Teesri Manzil (1966), produce...

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Kings of Trick or Treat

An inveterate fan of the Ramsay Brothers, film historian Dhruv Somani, writes on their cult horror movies, as Halloween approa...

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That Year of The Other Woman

Film historian Dhruv Somani flashbacks to the year 1980, when the subject of ‘the other woman’ was no longer consi...

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The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

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From King Lear to The Image Book: Jean-Luc Godard

The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...

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GIVE LOVE A CHANCE!

Replacing his film journo’s cap for the Ad-man’s hat, Monojit Lahiri explores the hidden virtues of love as a bran...

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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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Music Videos Pay Tribute To UNESCO Creative City of Film

Musicians and filmmakers collaborated to create a visual and musical tribute and celebrated the inclusive and diverse spirit of the city of Mum...

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